![]() ![]() ![]() In Track Mode, on the other hand, the user sees all clips of a track exactly as these are cut and arranged in the DAW. In Clip Mode, the user has access to a single clip, but this extends to notes lying beyond its borders as a result, when comping, it is very simple to solve any problems posed by clip borders slicing notes in two, which greatly streamlines the comping workflow. In ARA-compatible DAWs, Version 4.1 offers decisive improvements that make it possible to focus Melodyne’s functions in an optimal manner on an individual clip or an entire track. The Munich-based pioneer in note-based editing of audio, and developer of DNA Direct Note Access polyphonic editing algorithms, improved Melodyne with more powerful user-friendly ARA (Audio Random Access) interface extension functions. When Melodyne is integrated into the DAW by means of the ARA interface extension, user-friendly new possibilities are now available for vocal comping, and in Melodyne 4 studio, the simultaneous editing of an unlimited number of tracks can now be done via ARA, too. This update brings important improvements to all editions of Melodyne, including a new playback type for high-pitched monophonic instruments, a command for separating notes as trills and additional keyboard shortcuts. Melodyne 4.1: New functions make comping with ARA integration much simpler and faster – here in Studio One ![]()
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